Works by Picasso on display in The Met's galleries of Modern and Contemporary Art
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Picasso, Master of Change

On the occasion of his birthday, The Met Store remembers Picasso and his dynamic oeuvre

Perhaps the most influential artist of the 20th century, Pablo Picasso had a long, constantly evolving career. Over 79 years, he saw success with everything from painting, sculpting, and ceramics to poetry, stage design, and writing, always experimenting with different styles in each discipline. 

In fact, the extent to which Picasso changed his approach, especially in his paintings, is unmatched by almost any other artist. While he’s most widely known for pioneering Cubism along with Georges Braque, he also invented collage, contributed in a major way to Surrealism, and produced graphic works comparable to those of Dürer, Rembrandt, and Goya. He even painted in realist, expressionist, primitive, and neoclassical modes, producing a body of work that remains one of the most impressive in the history of art. As Picasso said of his protean output: “Everything you can imagine is real.”

Self Portrait. Pablo Picasso (Spanish, 1881–1973). Oil on canvas, 10 1/2 x 7 3/4 in., 1906. The Jacques and Natasha Gelman Collection, 1998 (1999.363.59)


New York City is blessed with a wealth of Picasso holdings, at the Museum of Modern Art (MoMA) and the Guggenheim Museum, as well as at The Met. Today, The Met’s Picasso holdings comprise 34 paintings, 58 drawings, a dozen sculptures and ceramic plaques, and almost 400 prints. Gertrude Stein started it all when she donated her iconic portrait in 1946. (The rumor goes that she gave it to the Met because she didn’t like the MoMA or its then-director, Alfred H. Barr Jr.)

Gertrude Stein. Pablo Picasso (Spanish, 1881–1973). Oil on canvas, 39 3/8 x 32 in., 1905. Bequest of Gertrude Stein, 1946 (47.106)


Over the next 50 years, subsequent, extremely generous donations and bequests from Alfred Stieglitz, Scofield Thayer, Florene M. Schoenborn, Klaus and Dolly Perls, and Jacques and Natasha Gelman helped establish the Met’s Picasso collection as one of the most significant in the world. While the holdings are largely weighted toward his early and neoclassical works, viewers can expect something from every period of his career, starting with some of his first paintings.

When Picasso began painting in 1894, he worked in a realist style, employing lifelike details and colors. This more traditional approach is especially evident in his early portraits of church figures and loved ones. By 1897, however, influenced by the Expressionist Edvard Munch and the Post-Impressionist Toulouse-Lautrec, his work took on more intense and less true-to-life quality.  

Ramon Casas. Pablo Picasso (Spanish, 1881–1973). Ink and essence on paper, 4 1/2 x 4 1/8 in., 1900. Gift of Raymonde Paul, 1982 (1982.179.25)


By 1901, Picasso had altogether abandoned realism. Likely motivated by his close friend’s suicide, he began focusing on cooler, less natural colors and gloomier subject matter, such as people living in poverty or despair. This stretch of time, which lasted until 1904, came to be known as his Blue Period.

The Blind Man’s Meal. Pablo Picasso (Spanish, 1881–1973). Oil on canvas, 37 1/2 x 37 1/4 in., 1903. Purchase from Mr. and Mrs. Ira Haupt Gift, 1950 (50.188)


Around 1904, Picasso started using warmer colors and happier subjects, though he continued to employ a painterly approach. After moving to the bohemian neighborhood of Montmartre in Paris, he dropped his impoverished figures entirely, instead painting harlequins, acrobats, and other performers. These works fall under what is now referred to as his Rose Period.

Saltimbanque in Profile. Pablo Picasso (Spanish, 1881–1973). Essence on paper board, 31 1/4 x 23 1/2 in., 1905. Bequest of Scofield Thayer, 1982 (1984.433.269)


In the three years following his Rose Period, Picasso found inspiration in Oceanic and African art, depicting everyone from prostitutes to himself with abstracted bodies and mask-like faces. This interest in simplification and fragmentation helped pave the way to his famous Cubist works.

Bust of a Man. Pablo Picasso (Spanish, 1881–1973). Oil on canvas, 24 1/2 x 17 1/8 in., 1908. Bequest of Florene M. Schoenborn, 1995 (1996.403.5)


Picasso’s Cubist period can be broken down into two distinct phases. For the first four years, he produced mostly “analytic” pieces, defined by monochromatic palettes and overlapping, geometric fragments. When viewed from a distance, the fragments form figures, which are often visible from multiple angles at once.

Woman in an Armchair. Pablo Picasso (Spanish, 1881–1973). Oil on canvas, 32 x 25 3/4 in., 1909. The Mr. and Mrs. Klaus G. Perls Collection, 1997 (1997.149.7)


Over the following two years, he worked in a more “synthetic” manner, creating simplified but polychromatic canvases similar to collage art. While Picasso had moved on from his Cubist stage by 1914, he continued to experiment with the style until the 1920s.

Guitar and Clarinet on a Mantelpiece. Pablo Picasso (Spanish, 1881–1973). Oil, sand, and paper on canvas, 51 1/4 x 38 1/4 in., 1915. Bequest of Florene M. Schoenborn, 1995 (1996.403.3)


In 1917, shortly after his first visit to Italy, Picasso returned to figurative painting, using a more neoclassical style inspired by Italian Renaissance art. While the works from this period don’t make a return to the realism of his early art, they mark a major departure from the abstraction of Cubism.

Head of a Woman. Pablo Picasso (Spanish, 1881–1973). Chalk on paper, 42 3/8 x 28 3/8 in., 1922. Bequest of Scofield Thayer, 1982 (1984.433.276)


By 1925, Picasso gave up naturalism once again, turning instead toward Surrealism. Featuring dreamy landscapes and twisted figures with jumbled features, the works from this phase are characterized by bright, clashing colors, a skewed sense of perspective, and a contrast between organic and geometric forms.  

Nude Standing by the Sea. Pablo Picasso (Spanish, 1881–1973). Oil on canvas, 51 1/8 x 38 1/8 in., 1929. Bequest of Florene M. Schoenborn, 1995 (1996.403.4)


Picasso continued to paint until his death in 1973, however, his late works can’t be classified by a specific style. Instead, they blend elements of all his past periods, reminding viewers of his immense talent. To quote the artist himself: “Others have seen what is and asked why. I have seen what could be and asked why not.”

Woman in a Hat with Pompoms and a Printed Blouse. Pablo Picasso (Spanish, 1881–1973). Linoleum cut, block: 24 3/4 x 20 7/8 in., sheet: 30 x 24 1/2 in., 1962. The Mr. and Mrs. Charles Kramer Collection, 1985 (1985.107.4)


To take home your own piece of Picasso, shop for cards, mugs, and more inspired by the artist at The Met Store.

Pablo Picasso Artist Mug, $25

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